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CBS Affils Should Secede From 'Kid Nation'
Market Share by Arthur Greenwald
TVNEWSDAY, Aug. 6, 2007
There is plenty on the new fall schedule for CBS affiliates to promote, but the new reality show featuring 8-to-15 year olds should not be one of them. It's far more trouble than its worth.
Last week’s Market Share scrutinized this fall’s new and returning broadcast network shows, focusing on which programs stations can leverage for local sales
promotions.
This week, we offer the opposite advice, examining a rare example of a show that stations should actively avoid. Again, this is not about popularity. You already have a
pretty good idea about which new fall shows are a long shot at best. While it’s a no-brainer to withhold resources from shows voted Least Likely to Succeed, it’s harder to identify the potential hits that conceal a serious downside.
This season, the Most Shunworthy Show is without question Kid Nation, set to premiere on CBS on
Sept. 19. This is a show so toxic that if it wins, the affiliates lose. Here’s a synopsis of the show, condensed from the network’s
own press release (for the full version, click
here): Kid Nation is
a reality-based series in which 40 kids have 40 days to (rebuild) Bonanza City, N.M.,
a ghost town that died in the 19th century. These 8-to-15 year olds spend more
than a month without parents or modern comforts. They cook meals, clean
outhouses, haul water and even run their own businesses. They'll also create a
government—four kid leaders who guide the group, pass laws and set bedtimes. Through it all,
they'll cope with regular childhood emotions and situations: homesickness, peer
pressure and the urge to break every rule they've ever known. At the end of each
episode, all 40 kids gather to debate the issues facing Bonanza City.
They'll show wisdom beyond their years and the unflinching candor that only
kids can exhibit. There are no
eliminations on Kid Nation—you only go home if you want to.
Kids may raise their hands and leave. Will they stick it
out? Will they come together as a cohesive unit, or abandon all responsibility
and succumb to the childhood temptations that lead to round-the-clock chaos? So
what’s wrong with that? It teaches some kids the virtues of democracy and hard
work, it celebrates the pioneer spirit, and it’s a character-building
opportunity not unlike Outward Bound. In fact,
it’s easy to imagine creating promotional tie-ins with such family-friendly
advertisers as fitness centers, travel agencies and even supermarket chains. If you
do, you’ll regret it. Here’s why. Critics
have lined up to lambaste Kid Nation,
and not just the TV writers. The most caustic comments come from psychologists,
labor lawyers and child welfare activists, and they zero in on four categories: Kid
Nation violates child labor laws. This first came to light in James
Hibbard’s excellent TV Week story,
which documents the legal contortions required to find a location that would
permit working children “from dawn to dusk and then some,” according to
Hibbard. The producers chose NewMexico, a few months before that state closed an
embarrassing loophole that exempted film and television productions from child
labor laws. “We didn’t have statutes that said
they can’t work a child 10 hours a day, so we hoped that [productions] would do
what’s best for the children,” said Tiffany Starr-Salcido, who specializes in
child workplace rights at the New Mexico Department of Labor. Kid Nation’s Emmy-winning Executive
Producer Tom Forman further evaded child protection laws with another shrewd
strategy: “They’re not ‘working.’ They’re living and we’re taping what’s going
on. We were essentially running a summer camp. That’s the basis behind every
[legal] document for the show.” Right. A “summer camp” that paid participants a
$5,000 “stipend” plus potential prize money, and required parents to sign
extensive waivers and confidentiality agreements. Kid
Nation was inherently damaging to the children involved. Former child star Paul Petersen,
founder of the child advocacy group A Minor Consideration, asks “Who, exactly, was ‘standing by’
this so-called ‘summer camp’ when all the publicity says the piece was done
without adult interference?” According to producer Forman and CBS, there was an
extensive “adult safety net” stationed “nearby” that included a psychologist,
medical personnel, a nutritionist, but mainly production crew members. Petersen
remains skeptical. “What are the credentials of this so-called adult safety
net? What were they paid and who paid them? If this was really a ‘camp,’ who did the background and fingerprint
checks of the production team? The laws for ‘camps’ for children are pretty
strict in every jurisdiction I know.” Kid
Nation lacked true “informed consent.” Child psychologists
have long postulated that it is inherently impossible for children to grant
“informed consent” to reveal details of their personal lives in academic
articles, let alone commercial entertainment. There is ample evidence kids lack
the capacity to see the long-term consequences of sacrificing their privacy. Speaking
of Kid Nation, psychologist
Geoffrey White told ABC News, “Any psychologist working on this production
would be unprofessional at best and unethical at most.” This from a man who has
worked on a dozen reality shows, including ABC’s The Mole. White said that one of Kid Nation’s worst ethical abuses was asking parents to consent to
filming without knowing the exact production details. “Informed consent is not
a foolproof process,” White said. “These shows are coercive and use the
manipulative power of group pressure to bring out the worst in people.” That’s
not to mention a child’s inability to foresee the arsenal of production
techniques “reality” producers use to exaggerate or manufacture “heroes,”
“villains” and phony conflicts to enhance dramatic storylines. Kid Nation is a fraud. The show’s publicity boasts how
the children are boldly “attempting to do what their forefathers could not—build(ing) a town that works” on the ruins of Bonanza City.
Oops. Turns out that aside from a couple of aging shacks, nearly all of Bonanza City was built in the last 20 years
for the filming of Silverado and
other westerns. Ironically, this deception, plus the secret posse of
responsible adults, may be Kid Nation’s
most redeeming qualities. It means the children were never entirely in mortal
danger. And
where do professional TV critics stand on Kid
Nation? The Washington Post’s
Lisa de Moraes writes “Not since Amish in the City
have TV critics lavished so much hate on a reality series during a press tour
Q&A session." She then proves the point with
a scathing account of that critical exchange. Newsday’s Diane Werts likens the
show’s participants to “such tragic died-young kid stars as Dana Plato, Anissa Jones and
River Phoenix.” The Pittsburgh Post-Gazette’s Rob Owen says “the show calls into question the parenting of
anyone who allowed their child to participate … but the network is on the hook,
too, for creating the inducement.” Owen fairly points
out that “critics shouldn't judge the show until we see a full episode—only
clips have been screened so far.” (To judge those clips for yourself, click here.) But Owen adds “the concept alone is
troubling for the obvious reason that it seems as though the show's
entertainment value is based on exploiting children who are not acting, but
appearing on TV as themselves.” Just
out of curiosity, I wondered what the Parents Television Council had to say
about Kids Nation. As it turns out:
nothing—not a word to be found anywhere on the PTC Web site. Apparently the
PTC doesn’t think alleged child abuse-as-entertainment poses as great a threat
to family values as the occasional F-word or a glimpse of Janet Jackson’s
nipple. I have a
good many friends in the CBS marketing and PR departments whose work and
judgment I greatly respect. I don’t envy them the task of promoting this time
bomb. If this show succeeds, it will further confirm the public’s suspicion
that, unregulated, broadcasters will stoop to anything for ratings. Kid Nation was widely reported to be the
pet project of CBS “reality guru” Ghen Maynard, who famously badgered Les
Moonves to give Survivor a chance on
the CBS schedule. But it fell to CBS Entertainment President Nina Tassler to
defend the show from the TV critics’ onslaught: “In order for a reality show to really get out there and
change the landscape of television, you have to stir public debate,” she said.
“We knew we were going to create some controversy …. I don’t want it to have a
negative connotation.” Yeah,
good luck with that. Unlike Survivor which, for good or ill broke
new ground in genre, storytelling and videography, Kid Nation’s appeal is based chiefly on its shocking premise.
Ethically, it shares more in common with Fox’s colossal bad idea, a show based
on O.J. Simpson’s If I Did It. CBS
affiliates might want to similarly pressure the network to reconsider their
plans for this project. And not just for ethical reasons. As an added bonus, Kid Nation could get you sued. A Minor Consideration’s Paul Petersen is effectively
accusing the parents of Kid Nation
participants of child abandonment and endangerment. “If they want redemption,” writes Petersen, “they
should immediately ‘disavow’ the contracts, because their kids certainly can
the moment they turn 18. If you did this for money, parents, consider what it
would be like to own a good chunk of CBS, for that’s the potential prize.” Can said
parents and, eventually, the kids themselves also sue the stations who
broadcast Kids Nation? Do you really
want to find out?
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